Amanda was a nightingale. Every morning, with the first rays of the sun, she flapped her wings and started to warble. From her prodigious throat came, one after another, the most dissimilar and original musical notes: now a fortissimo treble, now a deep note that penetrated the soul. All the songs of the birds were contained in her and acquired a level magisterial execution. She reveled in them, absorbed in her own song, without paying the least bit of attention to what was happening around her. All who passed near Amanda’s window stopped to listen. Sometimes she caused traffic jams, and the police had to intervene to get things moving. Amanda’s song was the most famous in the city and there were those who rose at daybreak to listen, in the stillness of the dawn, before the noise, her first trills. Connoisseurs commented that they were the most beautiful, always new.
The months and years passed and Amanda’s singing became an important part of the city. All the tourists who came demanded that their schedule include a visit to hear her. The same thing happened with official delegations. People gossiped for days about the visiting president who rescheduled his flight, breaking all protocol and ruining the official welcoming ceremony to listen to Amanda at dawn. Given the number of people who gathered in front of Amanda’s house every day, the authorities decided to connect microphones to the radio network, so that everyone could listen to Amanda singing from home. From that time on she was a part of breakfast, lunch and dinner. She was present when people were talking, making love, being born and dying. And her singing was always new. She sang without pause from morning to night, as long as the sun shone. On cloudy and rainy days she remained silent and only sang when a rainbow appeared. Then she sang with the same force as at dawn.
On day Amanda stopped singing, and the city, little by little, began to die.